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AVAILABLE EDITIONS & MATERIAL STUDIES
Current studio releases, limited edition forms, and material conditions available directly through the studio laboratory. Each piece is cast, finished, and resolved as a singular spatial object.
FOR CUSTOM SPATIAL INSTALLATIONS OR SPECIFICATIONS:
Featured Objects
ovalation | ONE
Sculptural Concrete Coffee Table
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fluted | TOBACCO
Sculptural Concrete Coffee Table
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Chunk of Turquoise
Sculptural Concrete Table
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Distressed Ochre concrete side table from line ZERO by Dylan Myers. Warm ochre pigment layered with acid and time reveals subtle mineral movement beneath the surface — concrete aged to quiet perfection. 16" diameter × 18" tall.
Green Scratch concrete side table from line ZERO by Dylan Myers. Emerald pigment dragged across the surface exposes movement and tension — raw color meeting deliberate imperfection. Hand-cast GFRC. 18" diameter × 18" tall.
Brown Scratch concrete side table from Line ZERO by Dylan Myers. Warm, raw, and deliberate — layered brown pigment etched by hand reveals the concrete’s natural movement beneath a smooth, polished surface. Subtle depth emerging through imperfection. 18" diameter × 18" tall.
Dark, smooth, and deliberate.
Rich espresso tones are hand-rubbed through layered pigment, revealing mineral depth beneath a soft tactile sheen. A monolithic cylindrical form refined through restraint — balancing sculptural presence with functional clarity.
22” diameter × 22” height
Subtle mineral warmth and natural surface porosity held within a monolithic cylindrical form.
Hand-cast GFRC by Dylan Myers. 16" diameter × 18" tall.
line ZERO | 009 by Dylan Myers. Recycled glass embedded within pigmented concrete — a study of light, fracture, and suspended mineral texture. Smooth planes meet crystalline interruptions, capturing frozen motion within a restrained monolithic form. 16" diameter × 18" tall.
Hand-cast GFRC side table with layered grout finish revealing mineral depth and tonal variation. 16in diameter × 18in tall. One of one by The Concrete Anomaly.
Controlled chaos in form.
Acid-reactive surface treatment and layered grout fuse together — concrete transformed into a living surface of depth, tone, and tactile contrast. 16"d × 18"t.
Concrete in quiet motion.
Layered grout and pigment reveal organic flow — each surface capturing the tension between control and surrender. 16"d × 18"t.
A cylindrical concrete side table from The Concrete Anomaly’s line ZERO series.
Saturated neon pink pigment and distressed vertical movement reveal layered surface erosion and quiet material tension across a monolithic form. Hand-cast GFRC by Dylan Myers. 16" diameter × 18" tall.
Deep charcoal concrete with subtle distressed surface movement and embedded golden mineral traces.
Light catches quietly across the surface — a restrained shimmer held within a monolithic form. Hand-cast GFRC by Dylan Myers. 18" diameter × 18" tall.
Minimal form, maximum presence.
A slender concrete column where mineral pigment settles and migrates through the curing material, revealing subtle tonal variation across the surface.
10" diameter × 24" height
Cast concrete
One of one
Blued Lava concrete side table from line DEGRADATION by Dylan Myers. Deep blue pigment and charred undertones evoke cooled volcanic stone — raw energy captured in hand-cast GFRC. 18" diameter × 18" tall.
A heavily textured cylindrical side table from the line DEGRADATION series, featuring a soft volcanic-inspired surface with deep natural pitting. Hand-cast in GFRC with layered pigment and organic erosion patterns.
Broken Terrazzo concrete side table from line DEGRADATION by Dylan Myers. Reclaimed aggregate suspended within hand-cast GFRC — fractured surfaces rebuilt through layered concrete and deliberate repair. A study of ruin and restoration. 16" diameter × 18" tall.
Heavy Water concrete side table from line DEGRADATION by Dylan Myers. Dark pigment and oxidation bleed through the surface like corroded steel — the calm after a chemical storm. 16" diameter × 18" tall.
A sculptural concrete planter from line DEGRADATION, hand-hewn and distressed to echo the beauty of decay and restoration. Built in GFRC concrete and finished with layered grout, integrated pigment, mineral wash, and a deep green patina that shifts under light. Heavy, textural, and intentionally imperfect — a functional art object that anchors any space.
Brutalist erosion refines into sculpture. This large-format cylindrical planter is hand-formed in high-performance GFRC, then aggressively distressed, layered, and rebuilt using mineral pigments and acid-reactive washes. The gold–charcoal patina reads like excavated architecture—raw, oxidized, and elemental.
For projects developed through commission: Work is created as a complete system—designed, built, and resolved as one.
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Additional forms exist beyond public release. Explore the full progression of the practice.
SHIFT | CONDITIONS | PROGRAM
Pigment drifts through concrete like liquid suspended mid-cast.
Gravity pulls the material downward, leaving mineral traces across the surface as the form cures.
22" diameter × 22" height